![]() Then there are times when the screen splits into panels like a comic book to not only let us see multiple perspectives on a scene but also to remind us where this story comes from and the beauty of sequential art. Whether you are consciously aware of it or not the colors, the backgrounds, the line definition are all telling us something about the story or the mood of the character in extraordinary ways that actually advance and enhance the story. The styles then collide, explode, and melt into each other in clever ways. The animation style reflect the personality of each Spidey and each dimension. Other animated films may boast state of the art technology but "Across the Spider-Verse" puts that technology to work in exciting new ways. It’s breathtakingly innovative and cinematic but also deeply indebted to the comic book form. The animation in "Across the Spider-Verse" is spectacular. ![]() Just to give you a sense of the visual style of "Spider-Man: Across the Spider-Verse." Spider-Man India, Gwen Stacy and Miles Morales fighting The Spot in the city of Mumbattan on Earth-50101 - a kaleidoscopic hybrid of Mumbai and Manhattanfor. Sony Pictures A visual development image featuring Pavitr Prabhakar, a.k.a.
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